Micki Kahlon DFSA

The task I was given was to use available light. To make the most out of the light, I decide to take my photos outside. I chose the tractor a the main background of the photos so that I could create a range of poses, as well as liking the way the metal had rusted and was formed with interesting shapes and textures against the subject, creating an interesting distressed look for the majority of the photos. I also experimented with layering of subjects by placing the main subject in the mid-ground rather than foreground. I took advantage of the slightly low lighting by highlighting shadows to appear more extreme and adding to the grungy and industrial appearance of the background. Overall, I am happy with the collection of photos that I've produced, given the fact I'm not very familiar with using DSLR cameras. I also found the photos had a editorial feel to them though how the subject poses and works with the tractors. Original Edited

From the start of the filming process, I wanted to have a narrative; Showing the journey from one place to another (from one culture to another). We began by shooting in the studio, capturing portrait shots and using lighting to create mood and juxtaposing with the bright and open outdoor shots. Using spotlights in the dark room highlighted the models, capturing their every emotion and facial expressions. I wanted to use these shots as breakaways from the main storyline. Additional breakaway shots of nature; trees, grass, flowers, a river were all intentional as they all have meaning that link to Martin Luther King's speech. In Siddhartha, the river symbolises the journey towards enlightenment. A tree symbolises stability and growth. All these characteristics were to represent the two, (myself and Manon) as they make their journey towards one another. Another factor I particularly like, (which was non intentional) were that the two models, myself and Manon were both of diff